Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. Wonder as Subgenre. ), Your Hosts: Howard, Mary Robinette, Dan, and Amal Many of us write characters who know more than we know, and/or who think faster than we do. In this episode we’ll talk about the things you can do to challenge yourself and level … Continue reading 13.45: Next Level Narration →. How do you maintain … Continue reading 13.47: Q&A on Fixing Characters →. Notes: the MICE quotient is Milieu, Idea, Character, and Event. What makes it a bird? Season 2. Liner Notes: Brandon mentioned Howard’s “Tyrannopotomus Rex” doodle as part of the writing prompt. Yang is a Hugo-nominated short story writer from Singapore who identifies as non-binary. Your Hosts: Brandon, Mary, Amal, and Maurice Let’s talk about characters who have conflict built right into them; characters whose attributes and attitudes might seem to contradict one another; characters who like, y’know… actual people. 477. Writing Excuses is a weekly podcast for writers and aspiring writers. Who are you? In an employer-employee relationship, the employer has position power over the employee. Think Like a Freak: The Authors of Freakonomics Offer To Retrain Your Brain, by Stephen J Dubner and Steven D Leavitt, narrated by Stephen J. Dubner, Your Hosts: Brandon, Mary, Amal, and Maurice How can we, as writers, best handle weighty matters? We're going to be talking about character all season long. Announcing the 2018 Writing Excuses Scholarship Recipients! Season 9. Members. Credits: This episode was … Continue reading 13.37: What Writers Get Wrong, with J.Y. Excerpt from Writing Excuses 13.26 Character Relationships [7:05 - 9:03]. Liner Notes: We talked about authorial voice in episode 12.10, and about 1st-person Voice in 12.2. Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson. Season 2. Writing Excuses Season Four Episode 13: Juggling Multiple Viewpoints Apr. Dive deeply. Season 6. FifthView Istar. Comment Notes: The audio file wasn’t correctly linked until Tuesday. There’s no quiz. How well should characters understand their own motivations? Season 15: Topics You Asked About! No signup or install needed. In this episode we discuss our tools for shaping character voices, and the ways in which we make sure each one unique. * Denial * Resistance * Exploration * Acceptance * Manifestation Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson, Your Hosts: Brandon, Mary, Amal, and Maurice Internal conflicts, simply put, are problems your characters have with themselves. Season 15: Topics You Asked About! We look at the shapes of these arcs, how they progress in our narratives, … Continue reading 13.22: Character Arcs →. Yang J.Y. save. Complete Season 3 of Writing Excuses.I take no credit for this work. Don’t use dialog tags. New Chicago team!â Yes, it looks like the crew changed up this season. All the transcripts. Thereâs been a lingering problem that Writing Excuses has had the last few seasons â the same answers to what amount to the same questions. Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Zoraida CÃ³rdova Zoraida CÃ³rdova, an award-winning author of urban fantasy, was born in Ecuador and grew up in Queens. Writing Excuses Season 4 Notes. Write a solution to one of your characters’ problems off the top of your head. Season 8. Liner Notes: No, Howard was not in the room. The Usual Suspects, by Maurice Broaddus Writing Excuses 13.10: Handling a Large Cast . Then write a scene in which that disorder informs the character’s behavior without actually naming the disorder. Season 8. Writing Excuses Talks to an Astronaut, with Special Guest Kjell Lindgren : Breaking the Chains of Gravity: The Story of Spaceflight Before NASA, by Amy Shira Teitel, narrated by Laurence Bouvard, Also, “Girl Hours,” a poem by Sofia Samatar, At GenCon Indy 2017 we were joined by Wildstyle (@MrWildstyle on Twitter), who wears many hats, and many of the hats he wears are donned in service of producing hip-hop. ... [Mary] Season 13, Episode 10. I'm not sure if it's the new format of different hosts, or the hosts themselves, but I am underwhelmed this season. Look up doge-speak. Credits: This episode was recorded at WXR 2017 in the Baltic Sea by Bert Grimm, and mastered on dry land by Alex Jackson. Barsk: The Elephant’s Graveyard, by Lawrence Schoen, narrated by J.G. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex … Continue reading 13.32: How To Handle Weighty Topics →. Your Hosts: Brandon, Mary, Dan, and Howard 2018 is our Year of Character, and we kick it off with a quick exploration of the differences between heroes, protagonists, and main characters. How much backstory needs to be written before you start in on the manuscript? Read it, and then read the dissent. Consider the silhouette test, and then create a list of words that will let you apply it to your characters. Lord Foul’s Bane: The Chronicles of Thomas Covenant the Unbeliever, Book One, by Stephen R. Donaldson, Your Hosts: Brandon, Mary, Dan, and Howard What’s the difference between villains and antagonists? Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson. * How do you continue a character’s story after they’ve completed their original arc? New listener here. Yang. 13.51: Wrap-up on the Year of Character. * How can you make a normal, everyday character interesting? Last week’s episode may have sounded like the last one for 2018, but that’s an artifact of December having five Sundays rather than four. Season 7. Writing Excuses 13.49: How to Finish . Your Hosts: Brandon, Mary, Amal, and Maurice A foil is a character who serves as a contrast to another character. Season 11, Episode 8. Who are the five people you know best? Season 14: Worldbuilding! There are a plethora of reasons writers give for letting excuses take over their work. From https: ... That Max Gladstone and I wrote together that I've mentioned a few times over the course of this season. She joined us to talk about how writers can do a better job of depicting it, and how to avoid the … Continue reading 13.39: What Writers Get Wrong, With Wendy Tolliver →. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. This season, I find myself stopping episodes partway (which says a lot considering they're only 15 min). Season 8. Credits: this episode was recorded by Dan Thompson and mastered by Alex Jackson. Write down five simple characteristics which make birds birdy for you. An SF/F conceit in which death is looks exactly like death to the people to whom it’s not happening, but is actually a transformation for the person experiencing it. One of my favorite podcasts about the craft of writing is Writing Excuses. Writing Excuses Season Three Episode 13: Dialects and In-World Jargon Aug. 26th, 2009 11:33 am. a guest Nov 9th, 2015 855 Never Not a member of Pastebin yet? Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson. Recorded live at WXR 2017. Message the mods. Your Hosts: Brandon, Mary, Dan, and Howard When Mary says we could do fifteen different episodes on character arcs, she’s being conservative. She is also the parent of three, one of whom suffers from mental illness. It was posted to the web by Howard, who is also the one who didn’t post until twenty-eight hours and twenty-minutes after he should have. This is the conflict between your default and … Continue reading 13.36: Confronting the Default →. Writing Excuses notes, Season 6 Yeah, I can't think of a lead-in this time. Time is your friend. Writing Excuses 10.6: The Worldbuilding Revolves Around Me (âThe Magical 1%â) 2015-02-09 8. Brandon: Iâm Brandon. Season 4. We also talk about the more formal act of interviewing peopleÂ¹, and how to deal with the attendant complexities. This week we talk about other, less fatal ways in which a character story can be finished, and how we, as writers, can tell when we’re done with a character arc. Liner Footnotes Â¹ We hadn’t seen “ass-pull,” the a nouningÂ² of the idiom “pull it out of your assÂ³” as a noun before. Mon Jan 11 2010. [Brandon] This is Writing Excuses, Character Voice. Your Hosts: Brandon, Mary, Dan, and Howard 2018 is our Year of Character, and we kick it off with a quick exploration of the differences between heroes, protagonists, and main characters. ), Your Hosts: Brandon, Mary, Dan, and Howard When Mary says we could do fifteen different episodes on character arcs, she’s being conservative. Sitemap. In this episode we explore ways in which we can fine tune relationships in service of our stories. See what Ken Liu will be attending and learn more about the event taking place Jul 28 - Aug 4, 2017 in Kiel, Germany. Beginning with addressing the question “wait, aren’t they all the same person?” Because that’s the elephant in the room. Do you need to complete each character arc in a single story featuring multiple characters? Take something you’ve already written, and write a prequel set forty years or so earlier. This week, the hosts looked at writing active characters and first reaction out of the box for me: âHoly cow! Tell a new story with them in those roles. When this episode was recorded the JPL trip was still in our future, and was “will have been” extremely cool. Writing Excuses NotesâSeason Six. * Do you need to complete each character arc in a single story featuring multiple characters? It’s a difficult question to answer, and a very soulful sort of thing to answer in front of other people. Your Hosts: Howard, Mary Robinette, Dan, and Amal Many of us write characters who know more than we know, and/or who think faster than we do. Relax! 13 Steps to Stop Making Excuses. If there’s just one technical term worth bringing home from this episode, it’s “expeditionary behavior.” It’s the sort of thing that can make us all richer for the experience. * Do you create standard dossiers for your characters? Each of these characters are experiencing the same scene differently, and some of them are lying about it. We came up with answers. The Ten Cent Plague, by David Hajdu, narrated by Stefan Rudnicki, Your Hosts: Brandon, Mary, Amal, and Maurice Character backstories: these are the tales that describe how the characters in your story became who they are by the time they arrive in the book. In this episode we’ll talk about the things you can do to challenge yourself and level up your narration. Maybe much, much later. Writing Excuses Season 2 Episode 30: The Most Important Thing Howard Learned In The Last Year. My Lady Jane, by Brodie Ashton, Cynthia Hand, and Jodi Meadows, Your Hosts: Brandon, Mary, Dan, and Howard Our characters become far more interesting when they begin interacting with each other. No signup or install needed. Season 3. Your Hosts: Brandon, Mary Robinette, Amal, and Maurice Last week we talked about character death. More Kjell Lindgren! a guest . ), Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Zoraida Córdova Zoraida Córdova, an award-winning author of urban fantasy, was born in Ecuador and grew up in Queens. Write a flashbacks scene that reveals a key bit of a character’s backstory. In this episode we address the ways in which writers can build stories and subplots around internal conflicts, and how we can tell when it’s not working. Season 10 â Writing Excuses . Season 5. Your Hosts: Brandon, Mary, Dan, and Howard, with special space-guest Kjell Lindgren Kjell Lindgren, flight surgeon, Expedition 44/45, joined us for an episode that perhaps should have been called “we ask the space-man all of the things.” We asked him stuff that we wanted to know more about, and came away richer for the experience. It comes from Season 1, Episode 12 and Season 1, Episode 13â¦. Liner Notes: We referenced The Hollywood Formula, which was introduced to us by Lou Anders in Episode 6.18. 2015-02-16 6. [Brandon] This is Writing Excuses, Using Elections in Stories. Season One Index Season Two Index Season Three Index Season Four Index Season Five Index. 15.05: Setting Goals for Your Career. Your Hosts: Brandon, Valynne, Dan, and Howard For our purposes, the term “flat character” refers to a character who lacks the depth required to maintain reader interest. How are they alike? Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. Your Hosts: Dan, Mary, Aliette, and Howard This year’s third-week episodes will all follow a common theme: “what writers get wrong.” Each of these episodes will feature an expert guest who will help us understand what writers get wrong about something in which they have expertise. Q: Do you guys have certain questions about characters you have to answer for yourself before you can start writing about that character? Take a flat character from media you’ve consumed and write a backstory to make them less flat. Fat Angie, by e. E. Charlton-Trujillo, narrated by Angela Dawe, Your Hosts: Brandon, Mary, Dan, and Howard Tropes, archetypes, and even cliches are tools in our toolboxes. Season 16: ??? Nancy Drew and Conan the Barbarian are iconic, but Leia Organa and Aragorn are epic. Then reveal the same bit of backstory in a scene where the character describes the events to someone else. * How do you fairly and even-handedly write a deeply compelling character you deeply dislike? [Dan] Yay! Alternatively, remove the foil from a famous comedy routine. A subreddit to discuss and share everything relating to the Writing Excuses podcast. We have answers! Writing Excuses Season Four Episode 13: Juggling Multiple Viewpoints Feb. 23rd, 2011 03:50 pm. Never . Your Hosts: Brandon, Amal, Mary, and Maurice This is the second of our pair of episodes in which we talk about how we, your hosts, fix the problems we’ve identified with the characters in our work. Take a character in one of your stories and split them into two characters. Take something you’ve already written. * How can you tell if a character is, in fact, the problem? Homeâ > â Season 13: Character. Notwithstanding, we set out to talk meaningfully about character arcs in one episode rather than in fifteen (or fifty.) Season Thirteen: Character all year long! Your Hosts: Brandon, Mary, Amal, and Maurice What are our favorite techniques for managing large casts of characters, and how do our processes differ from when we’re writing small casts? Season 9. Well, you guys, get out there and knock on some doors. What are your thoughts on Season 13. Specifically, we focused on how to learn about people who are not you by reading stories by and about them. 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